Infected
by Scott Sigler
I have to say, this book is extremely graphic and not for the squeamish. But, if you like Invasion of the Body Snatcher type books and if you either (a) make sure you don’t eat while you read this, or (b) have an ironclad stomach, this book is a rollercoasterworth riding. The essential plot summary is: Aliens deliver single-celled troops to Earth in the form of a mass cloud, seeding the atmosphere. The cellular troops latch on to and take over a human host. The ultimate goal, wiping out the human race and populating the planet with their own species. The book works more like a mystery for the majority of chapters and is graphic in it’s depiction of one of the main character’s experience as an infected, but the last few chapters are exceedingly graphic (I actually had to skim over some of the paragraphs, they made me nauseous) and action packed. The back cover says “Sci Fi / Horror / Thriller” and I should have noted that prior to purchasing (I’m not a huge horror fan.)
After reading it, I needed something to take my mind off the pictures, and since my fiance had asked for Twilight for Christmas, I went ahead and picked up the four book set to read (the movies aren’t that bad, but neither of us are anything like this:)

(The caption read: “If these were 40 year old men screaming for 17 year old girls, someone would call the police.” And it’s soooo true it’s sad.)
Twilight
by Stephanie Meyer
It was good, and very close to the movie as far as script. Some of the martyrdom from Bella doesn’t get moved in to the movie (thank god) and there’s not as much of the “It’s all my fault,” “No, it’s all my fault,” “No really, you’re not to blame, it’s MY fault,” back and forth in the movie as there was in the book. And since my mother was a bit of a martyr, this part in the book just drags… like nails on a chalkboard. (shudder) The teen drama angst is quite high, far higher than my Recommended Daily Allowance is… but for a teenage girl, I can definitely see it being compelling.
The author seems to have a love affair with the book Wuthering Heights, which according to Wikipedia is the story of “unresolved passion.” Having read the entire series, I can say quite conclusively that every time Bella and Edward attempt to deny their love (dare I say obsession?) for each other, something horribly tragic takes place and they narrowly miss death each time.
Twilight is the story of how Edward and Bella meet, how Bella comes to realize that Edward is a Vampire, how they fall in love, and eventually the epic climax between Edward and the antagonist of the story battling over Bella. However, the author is quick to point out by way of the antagonist, that had Edward simply gone ahead and made Bella a Vampire so that they could love happily ever after, her life would not have been in danger. (Hence the theme of unresolved passion.)
New Moon
Not as good a book to me, but still good. Having recently seen the movie in the theatre, I can say that the script of the movie pretty closely follows the book. I’d read some online reviews saying that there were a few inconsistencies (both in this movie, and the previous) but in my opinion, they were all sequential. Certainly the lines are not exactly the same, but the essence of the book made it in to the movie as did every important scene (with New Moon however, some of the scenes were re-organized to make more sense). They did add a scene in the movie to provide an explanation for why Bella becomes obsessed with motorcycles that was not in the book, but the book had an internal dialog exposition as Bella reasons through certain events that take place in New Moon. This exposition leads her to become obsessed with motorcycles.
New Moon is the story of how Edward decides that keeping Bella a mortal and staying around her is too dangerous for her, so he decides to abandon her completely in hopes that she will recover from the separation and return to living a completely normal, mortal life… and how that all goes horribly wrong (again, the theme of unresolved passion). The first two-thirds of the book surrounds her attempts to recover, which includes incredibly risky behavior, climaxing in a cliff jump which nearly kills her… dragging back Edward’s future-seeing sister, Alice, to see if Bella is alive or dead. And, due to a misunderstanding, Edward believes Bella is dead and sets about to cause his own suicide. Bella then must rescue Edward, because neither can live without the other.
Eclipse
Darker and less teen-angsty than either of the previous two books, Eclipse is the story of Bella’s final days as a human. Edward has finally accepted her desire to become a Vampire, and he and Bella spend most of the book negotiating her conversion (Edward wants her to have as many “human experiences” before she gives up her life for immortality, Bella is strident in her insistence that “the sooner, the better.”) The climax comes when an antagonist left over from the first book returns to kill Bella and Bella’s “Werewolf” friends from the second book must join forces with her soon-to-be Vampire family to defend her. The angst from this book comes primarily from Bella’s refusal to release her maybe-boyfriend Jacob, the “Werewolf” protagonist from New Moon to go his own way (unresolved passion anyone?) in her decision to live Edward’s life as a Vampire. And, if you haven’t read either of the previous books or seen the movies, Werewolves and Vampires are stereotypically at odds with each other (which means that Bella is about to become Jacob’s enemy.)
In the end, Edward capitulates to Bella’s demands that he be the one to turn her (they don’t actually do this in the book, because she has a few “human experiences” she wants prior to being turned) instead of Edwards “father” Carlisle doing the deed, the antagonist of the story is killed and Bella seemingly has come to terms with the fact that she cannot have her cake, and eat it too (both Jacob and Edward in her life.)
Breaking Dawn
Even darker still, even less angsty. Bella finally gives up most-if-not-all of the teen angst and martyr complex behavior that drove the first three books. She is a woman finally (she starts at 15-16 in Twilight), having arrived at 19. She refuses to turn 20 as a human, but slowly comes to realize that some things (read: sex) might be worth putting off becoming a Vampire for. Unlike Anne Rice’s novels where sex is not even possible for a Vampire, it is possible for the Vampires of Stephanie Meyer’s world… but Bella has been warned that during the first decade or possibly more, her self control over her Vampire nature will be slight to non-existent… that she will have little, if any, interest in activities that would be “human” and that the thirst would be all consuming. (read: no sex)
Let me also add that Meyer handles the topic of sexual relations very prudently. There are no seens of love or lust, such things happen “off screen.” There is no reservation about kissing or expression of desire, merely the act itself is taken off the pages. This successfully communicates the essentials of what’s going on, without devolving in to the blow by blow of literary pornography that some other authors have resorted to (read: Laurell Hamilton, whom I’ve long since ceased reading because the books became little more than pornography wrapped around a flimsy-to-non-existent plot.)
Meyer breaks the book in to three unequal “books,” with each “book” having a first-person subjective perspective different from the other “books.” “Books 1 & 3″ are from Bella’s perspective, while “Book 2″ is from Jacob’s perspective. Meyer takes a dive in to Jacob’s world about a quarter of the way in to Breaking Dawn and does not return to Bella’s perspective until around the two-thirds mark of the book. I find Jacob’s perspective only made him more annoying (very teen angsty again, and again a bit of a martyr). Perhaps it’s age speaking, but I find all of that martyr angst/drama to be highly annoying and frustrating. I can’t say it’s very far off from the things I remember from my childhood, but it’s all the memories I want to forget and spend very little time contemplating. I was highly thankful that it was thrown in sporadically throughout the series instead of dedicating entire chapters to the angst the way some other authors will dedicate chapters to their particular love interest (as far as literary topics go.)
Still, as much as I didn’t enjoy the change in perspective (having little if any interest in Jacob as a character), I must admit the change works for the story. Through the last part of “his book,” Bella is in severe pain or unconscious. You see, Vampires and human women can mate and procreate, and Bella has become pregnant.
While I found the pregnancy itself a bit contrived, it’s handled well throughout the rest of the story (read: once you can suspend your disbelief of that, the rest of the story follows in a believable fashion). The end result of the pregnancy is Bella’s death (and turning). When Bella awakes she’s now everything she could possibly want, a Vampire and with Edward, presumably forever (and a bit more she had no idea she wanted, a mother.)
However, the Vampire royalty we learn of in New Moon have come to take an interest in Bella and her family, and her clan must rally all of their allies to ensure their escape from certain destruction.
While Meyer implies that Vampires rarely have special gifts, over 80% of the Vampires presented in her story do. There must be something that says that only those with gifts have a hope of surviving immortality.
Likes & Dislikes
- Like: Good vs Evil
- Like: Happy Endings
- Like: Supernatural battles
- Like: Bella becomes a Vampire in the end (this sort of falls under happy endings, but deserves it’s own special comment)
- Like: Bella and Jacob finally get over each other (also falls under happy endings)
- Like: Vampires
- Like: Story progression from first book to last (especially that Bella changes as a person through each, that she isn’t mired in her original character traits from Twilight throughout the series)
- Dislike: Teen angst
- Dislike: Vampires vs Werewolves (unfortunately, it’s overdone by now thanks to Whitewolf, Underworld, etc.)
- Dislike: Constant references to Wuthering Heights (blech), including some actual quotes directly out of the book
- Dislike: Angsty Jacob-Bella love triangle (get over it already, most people can only successfully keep one other person happy in an honest, intimate relationship)
- Dislike: Vampires as statues/mineral deposits. (It seems a little too close to Anne Rice’s version of the originators of the Vampiric bloodline from Queen of the Damned, although the sparkly diamond skin thing and mixing Rice & Stoker Vampires to create her own brand of Vampire was admittedly creative.)
- Dislike: Not much history on the Vampires (Carlisle Cullin has been around for at least 300 years, and all the history we get is the creation story of each of the Cullins and a few other tidbits relevant to the current plot.)
In the end, while I enjoyed the books, they’re not the best I’ve ever read (either individual book or series.) As a series, it doesn’t even make it in to my top 5. However, this series far exceeds the horror that was Wizards First Rule (great first book, but every book after that was a traffic accident in progress… ugh)

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I’ve been meaning to read Twilight, but suspected that I didn’t want to own it and the library queue for it is very long. (Still!) It sounds like a series I’d appreciate, mostly for the progression you’ve mentioned. And like a series where it’s important not to get turned off at the first book, since it gets better as it goes.
How do you think it would work watching the first two movies and reading the last two books? Anything important I’d miss?
Invasion sounds interesting but disturbing. Have you read David Gerrold’s War Against the Chtorr? It’s a different alien invasion, spanning several books. Less horror, but interesting and twisted.
Well, if you don’t want to buy them, I could loan you my copy after Stephanie has a chance to read them. I’m sure I’ll see you at the wedding.
I’d honestly have to say that very little was left out from the movies, so if you’ve seen the movies, you could probably pick up exactly there with the books. There are things left out, of course, but I think most of it is sequencing and not much in the way of content.
The movie omitted and condensed a number of scenes in to the scene where Bella declares to Edward in the woods that she knows he’s a Vampire and he takes her up the mountains to see what he looks like in sunlight.
In the book, there were two dances (one where the girls get to pick who their partner would be, and later prom.) The scenes in the movie where everyone was trying to ask Bella to the prom actually happened with the first dance, and the weekend of that dance Bella had made plans to go to Port Angeles with Edward. When she realizes he’s a Vampire and he says that he’s glad everyone knows their going somewhere together because it “gives him reasons to bring her back alive” (or something like that), she cancels all of those plans publically and makes up a reason to “stay home” so that if Edward kills her (accidently), the Cullins will not be implicated in her death.
I thought it said a lot about how crazy she was about Edward, and just how important his safety was to her (even that early in their budding relationship)… and yet in the movie, they cut that out entirely and condensed several of those scenes together.
For the movie, it makes sense and flows more naturally. For the book, I think it needed to happen the way it did because it builds the relationship between Bella and Edward more gradually. (Time limits in the movie do not permit that kind of gradual relationship development.)
There are also a few more bits and pieces about the Cullin’s history, but the important bits for the later books don’t get revealed until later. (For instance, Jasper and Alice were not made by Carlisle, but were adopted. Alice doesn’t remember her human life, and we learn in book one that the reason she doesn’t is because she was put in an insane asylum by her parents. She was turned in to a Vampire when her creator decided to change her rather than let James kill her… and then James turns up in twist of irony… trying to kill Edward’s human ward, Bella. James’ thirst for taking away another Vampire’s pet/love/etc. appears to be the primary motivator behind his attraction to Bella and the desire for her death.)
Again, not critical to the movie, but interesting trivia that the author included even if it wasn’t important enough to make the cut for the movie.